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© 1998-2002 Stardance Studio All rights reserved.
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Tango |
| History
of Dance | | The
passionate and exotic Tango is quite interesting in both its history and styling.
Mention of its name evokes visions of passion, drama, staccato movement and quick
changes of direction. Centuries
ago, African slaves were transported to Cuba. They moved to the rhythmic drumbeats
of a dance they brought with them, called the Tangano. In the late 19th Century,
Cubans were also dancing, but to their own syncopated rhythms of the Habanera.
Eventually, these movements blended and this Afro-Cuban combination made its way
to Buenos Aires to mingle with the Milonga, originally an ancient Spanish song
form adapted into an Argentinean folk dance. Buenos Aires became a melting pot
for a variety of music, rhythms and cultures. Years later,
the Argentinean plainsmen, the Gauchos, danced a modified version of the Milonga
in the steamy brothels of Buenos Aires. It was there were many lonely immigrants
found themselves looking for companionship and entertainment. Sexual movements
between prostitutes and their customers were common on the dance floor while the
familiar sound of the bandoneon, a German instrument similar to the accordion,
could be heard playing in the background. The tango was an erotic dance, popular
with the less than respectable poor and ignored by the upper class. Around
1912, a slightly improved version of the Tango made its way to Paris where it
was transformed into a more polite form of dance. Vernon and Irene Castle, famous
ballroom dancers, helped to elevate its popularity and acceptance into ballrooms.
Tango Teas became the craze in London and Paris. The Tango was reintroduced to
Argentina where it was met with open arms by the upper class and it eventually
made its way to the U.S. around 1914. During the 1920's, Valentino added a provocative
style that has become well known to this day. And, as the dance developed further,
its interesting, asymmetrical and sophisticated figures, added a flare of suavity
that caught the attention of the dance conscious public The
Tango experienced a brief lapse in popularity during the 50's an 60's, but has
stormed back in an amazing way thanks in part to the success of Broadway productions
and big screen movies. Tango clubs and organizations continue to grow all over
the world and the music is now universal, with several types and styles: the authentic
Argentine style, the social (American) style and the competitive International
style. | | Music
and Tempo | | The
Tango music is written in 4/4 time and should be played at a tempo at 29-32 measures
per minute. The social American rhythm often used: S,S,Q,Q,S |
| Style
| | The
Tango is a progressive dance characterized by staccato movement and quick changes
of direction. The body maintains a slight, but constant, feel of "contra
body movement", or C.B.M. The hold is more compact, than in Waltz and Foxtrot,
and there is no Rise and Fall. |
Tango Basic (Social Rhythm) - Man's Footwork
| Step |
Rhythm & Beats |
Foot Movement | Footwork |
Amt of Turn | Dance
Position | | 1 |
S-1,2 |
LF fwd |
H |
Slightly
turning to left (due to CBM) |
Closed
Dance Position throughout | |
2 |
S-3,4 |
RF fwd |
H |
| 3 |
Q-5 |
LF fwd |
H |
| 4 |
Q-6 |
RF side |
IEF |
| 5 |
S-7,8 |
LF close |
WF |
| | Tango Basic
(Social Rhythm) - Woman's Footwork
| Step |
Rhythm & Beats |
Foot Movement | Footwork |
Amt of Turn | Dance
Position | | 1 |
S-1,2 |
RF bk |
TH |
Slightly
turning to left (due to CBM) |
Closed
Dance Position throughout |
| 2 |
S-3,4 |
LF bk |
TH |
| 3 |
Q-5 |
RF bk |
TH |
| 4 |
Q-6 |
LF side |
IEF |
| 5 |
S-7,8 |
RF close |
WF |
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